A few days ago I was headed up to New York City from Tampa. We left with plenty of time to spare but by the time we made it through traffic and security we only had fifteen minutes before boarding. We ended up making some bad food choices in a frantic attempt to get a meal in the few minutes remaining. No sooner had we done that than an announcement was made that the flight was put on a two-hour ground delay due to weather. This is the scene from the bar at Pei Wei across from our gate where we made more questionable food and beverage choices.
I am completely amazed at how I was able to make this photo. It was taken with an iPhone7 and then edited it in Lightroom mobile on the same device. By using the camera inside mobile Lightroom the images were saved in RAW format. That allowed me to recover a more detail, shadows and highlights than I might ordinarily.
The other cool thing is that Lightroom on the iPhone is hooked up with Lightroom on my laptop. As I was siting here editing the image on my iPhone, it and the edits were being save in the cloud. I opened up my laptop and started using Lightroom where I left off from on my iPhone. I continued using some of my favorite software including Photoshop and MacPhun’s Luminar as well as a few others, finally ending up with this.
Personally I am amazed, because it really felt seamless hopping from one platform to another. Sure, there is not as much detail as if I had used my three-thousand dollar Sony camera, but there is way more detail in this than I would have expected. You can see both our JetBlue aircraft and clouds at the gate across the way as well as interesting details in the darkened restaurant. For sitting at a bar in an airport, it ain’t half bad if I do say so myself
This is a long exposure from a park that sits on the border between Sarasota and Manatee counties. It’s a new park so on a recent Sunday drive I stopped by to see it for myself. I’m facing towards the inter-coastal on Longboat Key.
You may ask, how is it possible to take a long exposure at midday? Glad you asked; I used a strong ND filter. ND stands for neutral density and it blocks the light. In fact I used two filters and together they REALLY block the light. So much so that I can keep the shutter open for a minute or two, something I can normally do only at night.
So why would I want to take a long exposure during the day? Another great question; because everything is gets smoothed out. Even water that has waves appears smooth, the same goes for clouds; they all appear smooth. It’s a cheap special effect you can achieve without a big Hollywood budget.
You can get pretty creative with photography if you have nothing better to do on a Sunday afternoon. As for me I rarely have anything better to do. Standing in an empty park taking long exposures in broad daylight is my idea of a good time. Can you think of anything better to do?
I captured the light over the river one evening after the rain. Riverwalk is quiet directly after a heavy rain. However within thirty minutes people are back milling about, walking, running and fishing from the pier.
I get a little carried away when the light is like this. I’m attuned to special light. For instance I noticed it while doing exercise at the gym this morning. The clouds were in such a way that the light was diffused and I noticed. I notice it pretty much each evening in summer when we get broken clouds after rain. And I notice it when we get unusual weather here in Florida, which can be once a week or more. So on those yet fewer occasions when I have my camera, I get carried away. I’m making up for missed opportunities; I become a bit of a madman.
It borders on obsession. I lose track of everything else as I work on framing the light in different ways. That’s the big difference between a photographer and a painter. Photographers work in a short window of time and a lot must line up for it to work. A painter carries the scene in his or her head, timing has very little to do with it. However I can take all the time in the world when post processing. It’s closer to painting because if the image in my head differs from the one in the camera, I can take my time processing it to bring the two closer together.
At some level I’m simply working with light. There are mechanical tools and skill and knowledge and software and locations and weather and timing all mixed together. But at some level it’s all just working with light. As I think about it, it’s really kind of amazing for reasons I can only begin to guess.