I've heard it said that eventually, everyone passes through Times Square. There's no way to describe it unless you've been there; it's electric.
Last week I was talking about telling stories with simple images at the beach, but this is an example of a subject that's the polar opposite of serenity and sunsets. Regardless of the scene, success comes about by framing an image in a way that allows the viewer to enter it and muse about what is going on.
If you want to tell stories with your photos, it doesn't matter what the scene is. It could be a beach, a farm, a city or anything in-between. I find that having a sense of depth draws us into the scene. We start at items close up and then wander around establishing distance and placement. It happens so fast we don't notice, but crafting scenes are what makes photography so enjoyable. It's a subtle version of virtual reality based on immersion. If we are, even for an instant, immersed in a photo, then we've experienced a form of virtual reality. Stories when told by a picture or a book, have always been a way to experience a different reality.
This image is an example of the kinds of things you'll see just by showing up to a location and observing. It's not staged, yet it has receding elements: a girl, a bird, and a sailboat, not to mention the evening sun. The objects are receding, and from a compositional perspective, that's pretty cool. Let me explain.
There were other objects and people around, but I positioned the frame to simplify the image. Unconsciously our eyes are drawn from the close-up objects to those far away, and in that split-second traverse, each observer (you) creates a story. I refer to "story" a lot in my images, but what I mean is the musings of an observer (you). When you muse, you automatically make up a story. That makes me the story-teller, and now I've connected with you. It's pretty simple really, and it's the idea behind stories in photographs.
We can create stories in different ways; for me, it often involves simplifying a scene and engaging the viewer. But each person is different, and we could take a complicated scenario and do the same thing, there are no rules. My photos at the beach are simple, but I also like busy city streets with a lot of things to explore. (In fact, I'll post one like that next week.) But I digress. When taking photos, you want to tell a story. No matter where you are, you can compose the shot in such a way that when I see it, I make up my own story.
If I had a nickel for every one of these shots on the beach at sunset, I'd be, well, ...sitting by the beach at sunset. But that's what people do here, so I take pictures of it. When in Rome (or Florida as the case may be), you do as the Romans do.
Switching topics for a moment, I have a lot of lenses for my cameras. Some are expensive lenses designed to operate under demanding conditions. While I use them in specific settings, I use an older cheaper lens for my landscape photos. I guess my point is, for my favorite type of photography, I'm happiest when using the inexpensive equipment.
The reason I mention that is to say that photography should not be about the equipment. Any fool can buy a camera and take a picture; "yours truly" is a case in point. But framing an image that creates a story, that takes imagination. That can be done with any camera including the one on your phone. Everything has its use, but I think that when you are creating images, the best piece of equipment is between your ears.
So there you have it, a little bit of photography advice from someone who'd rather be a beach bum. If you take that, and a handful of nickles you can buy a nice cup of coffee.