This is another image I took from the slopes of Mount Bonpland in New Zealand. This location is above the northern tip of Lake Wakatipu. It was one of the last stops before heading back to the airport. We started early with subzero temps high up on the peaks and as the morning progressed and we headed to lower elevations we were peeling off the layers. We made so many stops I can hardly remember them all save for the photos. The excursion was based on engine time so on some stops we’d jump out while the pilot kept the engine running, this was one such stop as the pilot was still at the controls up on the right. At other stops he’d cut the engine so that we had a little more time to explore and compose shots. How I know where I was seemed nothing short of a happy miracle. I have an app on my iPhone called “gps4cam” that tracks GPS coordinates and then syncs them up with the photos using the image timestamp. I say it was a happy miracle because I wasn’t sure if it worked out of cell tower range. It does indeed because it uses the GPS receiver in the phone. So I ended up with exact locations of all our landings. That’s invaluable especially when I’m in areas I’ve never been before and want to review it later. About three hours after leaving we returned to the airport. I’d taken about fifteen hundred images and seen many things I never imagined. The next time I go back I’d like to do something similar; it’s hard to imaging a better opportunity for a landscape photographer. Now if I could just manage to get back to New Zealand sometime soon.
Over the weekend we had a full moon and for some reason it’s called the strawberry moon. Apparently it’s the smallest full moon of the year, but I think that doesn’t means much in practical terms because we can’t see the difference with our eyes. This is the Sarasota skyline from across the bay. It was one of the few nights we didn’t have cloud cover and this scene is one I’ve been waiting to capture. In fact this is a large panorama consisting of twelve individual images in a grid of 2 x 6. At full resolution this is two by eight feet. If you are thinking of purchasing a print, be sure to select the wide panorama crop (20 x 80 or similar) when checking out or just contact me so that I can ensure you get the correct fit for the frame size you want. I’ve been creating a lot of panoramas lately. I’m intrigued by the perspective and level of detail that’s possible. However the bigger the panorama the harder it is to put together. There are a lot of nuances that need to be fit just so. The software helps a little but most of the work is slow detail effort, although it’s something I enjoy a lot. The long slow process in kind of like a meditation for me, I’m in a different world when editing images. I spend more time working on photos than taking them. That’s just part of my artistic process. Often I’ll come back to a photo a dozen times before I feel it’s ready. Many times it never gets there and is relegated to the reject bin. Every now and then I review the rejects and see something in a different light and bring it back to life. In this case I had a strong idea of what I wanted so it was just a matter of taking the time to get it just right, in camera and in post processing. After all that work I still don’t know why it’s called a strawberry moon. I should just Google it but on the other hand I think I’ll just leave it as a mystery for now.
This is a long exposure that I took of San Francisco from Treasure Island. I took this at the beginning of the year but if I go back and take it again today it would look different on account of the construction. I never really thought about it but changing skylines seem to be a normal thing. Constant change is an oxymoron if there ever was one but it fits what I see each time I go back. I guarantee you there are a million pictures of this same scene. Now there is one million and one. What I like about this one in particular is the detail and colors. I was here a month before and the same shot came out fuzzy. At the time I was using a light travel tripod that couldn’t hold the camera steady in a moderate wind. This time I took my Really Right Stuff carbon fiber tripod and it kept the camera solid as a rock. I am born and raised in California so I know the area. Now when I go back I notice changes. I also used to live in New York. I’ll be going back there shortly so I’m sure I’ll be seeing a ton of changes there as well. The more we are gone the more we see. Even when I leave home for a week or two I notice changes around my small town. It could be as simple as a new sign or a re-paved road. If I’d stayed it might have gone unnoticed, just part of the daily scenery. It seems we don’t notice gradual change, rather only when we’ve been away do we see the contrast. I think it all boils down to our ability to adapt to change around us; we are wired that way. As long it’s gradual we seem to pay little heed. However the only thing that’s constant is change and, …that will never change. If that’s not a circular argument I don’t know what is.
