Here I am looking across the Manatee River on an early morning after the rains. The combination of the clouds and calm waters is just a lucky happenstance of timing. Any later and the breeze picks up to ripple the water. Any earlier and I was just standing in the rain. But as the clouds broke and the sun began to rise it created this dramatic affect in the sky. Quite frankly it reminds me of a painting of heaven. I'd like to think that in my own version of heaven this is what it looks like. Irrespective of that, I gravitate to idyllic scenes in my photography. Simple images that try not to cover too many subjects is best. Ironically, keeping it simple can easier said than done. I for one am easily enamored with all the little details, maybe because I'm a bit of a geek. But aesthetically, the more simple an image is the better, too many details water down the story an image conveys. Anyway, I can ramble on forever about composition, but in truth I consider myself a beginner, I have so much to learn and I expect it will continue to be a life long learning quest. But for now, simple, calm and idyllic; that's my favorite recipe.
This is the pier in Venice Florida on a cloudy afternoon. It's the best pier around so when I come here I shoot it from as many angles. In most cases I have the pier pointing out to sea from the left or right of the frame. In this case I've take a more direct angle by having it bisect the water and clouds. This is an angle I like very much, especially when shot with a telephoto lens. As you can see I'm not exactly head on, rather I'm on the beach angling out, but the perspective of the telephoto lens has it appearing rather flat. Piers and bridges are a major source of inspiration for me. I have no idea why that is. Maybe it's because they are objects that interact with bodies of water. If I lived in the mountains I'd be shooting waterfalls and lakes but in Florida it's rivers, ponds and seasides. The final toning of this image was created with a Trey Ratcliff Lightroom preset called "She Finally Awoke". I'm a big fan of Trey's presets which I use for inspiration when starting an image. But in this case I used it when finishing and I didn't change the preset one bit. That's unusual for me but in this case it worked exactly the way I wanted it to. Anyway, that's a little behind the scenes info on some of the aspects of how I created the image. There is a lot more but for now that's the short version.
There is nothing higher than a palm tree in central Florida. As a result there aren't may places you can go to get a perspective of the landscape other than a bridge or lookout tower. Leffis Key however contains a dune covered with vegetation that provides just barely enough elevation to look out onto the inter-coastal waterway. In this image the sun is rising over the fishing village of Cortez. Whenever visitors ask me where to get fresh fish I always recommend Cortez. This is a single image HDR. That just means I didn't use multiple exposures to balance the highlights with the darker areas. The sensor in the Sony A7R2 camera captures an very wide range of light so that images like this are possible. That wasn't the case just a couple years ago unless we combined multiple images using HDR. There was a breeze blowing so that the grasses swayed from side to side. Using traditional HDR, I would have taken three shots and combined them, however that normally causes problems with ghosting of the grass as it moves between each frame. Those problems are eliminated with a single frame and so it makes possible compositions like this. The technology in cameras is getting better every year and it makes me wonder what we'll be able to do in another year or two. It's is an exciting time for photography and geeks like me.
