A darkened central Amsterdam underpass creates a setting that is best described as a scene. Scenes are a combination of things that together make it more than just a place. Looking for scenes is a pastime of mine especially when walking through cities at night. Textures, light and motion combined to evoke imaginary scenarios rarely rooted in reality. As I took this the trains rumbled overhead completing the urban soundtrack of this vignette.
This underpass was something of a mystery to me when I first arrived in the city. It is across from my hotel and as I timidly explored I couldn't see where it ended. As it was late I shied away from following it to the other end. Later I discovered it led to a busy neighborhood full of shops and bistros. But my initial trepidation contributed to a state of mind (erroneous as it was) that created this foreboding subterranean scene in my mind.
This image is simply a combination of light and shadow, textures and movement; the sum of which becomes greater than its parts. If that isn't over thinking an image I don't know what is.
When I was a child I saw this cathedral from the outside because my aunt had an apartment directly across the street. The architecture made an impression on me that has remained to this day and the area around the cathedral occasionally appears in my dreams. With this in mind I was driving by a few weeks ago and thought to stop and look inside. I'm glad I did.
On a Monday afternoon it was empty save for an attendant. It's a cavernous space infused with refracted light from the stained glass ribs of the spier. However what struck me most was the silence of the enormous space.
There is much to take in, but as for my camera I look for rectangles that convey one aspect. As I could not help but look up at the light coming through the windows I chose this perspective. It was late in the day and so the west facing windows conveyed the greatest light.
Anyway, just happening in on this the way I did was a complete surprise. Whatever I expected was surpassed by the combination of ambience, light and architecture. This is without question a place of inspiration.
I recently created this dreamscape from Redington Shores. The last shot I posted was facing north, however this faces in the direction of my home which is about twenty miles south as the gull flies. Not that gulls fly straight, but I digress.
Right now the weather is perfect, not too hot or too cold. But in winter the waters of the gulf have cooled. It's a good thing because warm water in the gulf creates severe storms. Seven months of that in summer is enough. Winter is a break from all the thunder and lightning.
You can always tell the visitors, they're the ones in the water. I prefer the water in summer when its warm like a bath. But then we always have to be on the lookout for the rapid formation of thunderstorms. I've grown soft living here. When I used to live up north I'd consider the cooler water in winter perfectly fine.
There is always something to see when walking along the beach. One thing I do a lot of is take pictures of piers. There is something about a leading line ending in the sea. Another metaphor perhaps, one that I find intriguing. This is a different perspective. The pier provides a sense of distance and perspective.
This image is a common theme I repeat from time to time. It's about solitude in an idyllic setting, something just beyond this world. Of course it can mean anything you like it to be. But for me it's about something just out of reach. This is what I call a dreamscape.