I've been avoiding it, but on Wednesday evening I went to Bradenton Beach to see the spectacle for myself. If you haven't heard, Florida is in the middle of a massive red tide. So I drove to the beach, and as expected, was greeted with the smell of fish washed up on the shore. Maybe because of the breeze, it was not as bad as I feared. After a few minutes, I relaxed and let it fade into the background.
I came primarily to take pictures of the sunset because red tide or not, when the atmospheric conditions are right it's still astounding to see. However, as I walked along the beach, something seemed out of place. I struggled to put my finger on it as I continued and then it hit me. It was too quiet; there were no birds. All of the gulls, pipers, and pelicans had either succumbed or escaped, and there was not a single one on the beach. The lack of avian sounds and activity left me with an eerie feeling. That was the moment it hit home.
I am heartbroken, of course. I rationalize to myself that we are moving through the worst it, but that we will make it to the other side. The conditions that allow the algae bloom will eventually cease, and the fish, birds and sea mammals will, in time, return. I'm glad I went, and now I know that I will go again because I think it's important to witness it first hand, not just from TV. People are avoiding the shore, and the beach is empty in more ways than one. As for myself, being there to hear its silence is in some way, essential.
To be honest, "Dogs" should be singular, there is only one dog. This image is a fun creation from a night in Central Park. To make this, I stood on an overpass and snapped several pictures as a couple, and their dog walked below. Then, in post-processing, I blended the images to create multiple copies of the people and dog.
There are endless opportunities for composition in Central Park, particularly at night. Low light is my preference anyway so for me it's especially fun. The park is so big that I decided to rent a bike to cover more ground. It was a little awkward because I had a tripod hanging out of the basket as I rode. I get torn between the desire to cover a lot of ground and slowing down to focus on a small area. But either is okay; there are times for both.
I remember when walking around Central Park at night seemed a little scary. But now it feels like it's a reasonable thing to do; there are a lot of people out, and NYPD patrols it quite visibly. The park is a peaceful break from the city, but even more so at night. I came away that night with a lot of compositions and a desire to get back and do it again. And next time maybe I'll walk.
I took this picture in the lobby of the Delta Toronto Marriott when I was there a few months ago. Have you ever noticed how hotels design lobby spaces to feel inviting? This one is a far cry from the Motel 6 we stayed at when I was a kid.
When I'm in a big city, I like walking into lobbies and taking pictures of the architecture. The lobby is where the hotel puts its best foot forward. The idea is to convey a sense of luxury and comfort at the same time. Comfort usually means plush furniture and pillows that make you want to sink into them.
Anyway, I was walking through in the evening, and the colors caught my eye. I had been sitting here a few hours earlier to meet someone, but hardly noticed it in the daylight. I'm continually surprised at how light affects a place. In my opinion, it's the key to photography. On the top floor, there is a lounge with a spectacular view of the CN Tower. And my room had a pretty nice view of the lake as well. I think the hotel is rated four stars, but from a photographic perspective, it's easily a five.