This is a long exposure cityscape of Sarasota I took one night while waiting for the full moon to rise above the bridge. I was fortunate in that there was no wind and the waters of the bay were still. While that’s great for photos it also means there are a lot of mosquitos. I had a can of repellant and sprayed myself from head to toe: a minor annoyance but its a small price to pay in exchange for perfect conditions.
I never know when conditions will be good for photography until the last moment. If I had all the time in the world I’d go out every night checking. As a matter of fact I did that this evening before I sat down to write this. We had some dramatic clouds and I thought to get in position, but nothing happened and I drove home without a shot. It’s a numbers game; sometimes you lose and sometimes you win.
Earlier in the day I took a three-hour drive looking for compositions, in the end I got only one. The effort that goes into my photography is not carbon neutral. I should probably look into an electric car or just take the bus.
So that the time is not a complete waste I’ll listen to podcasts. I can get drawn into the stories such that the traffic, distances and time are not so monotonous. Even if I come back without a good composition at least I learned something. My favorite is Radio Labs, but I also like This American Life and sometimes Tim Ferris.
A lot of effort goes into making a good podcasts and the same holds true for photos. I love doing it so I rarely notice the time, but most of the images I post involve many hours of traveling, editing, expense, and sometimes even spraying myself with insect repellant.
The DeSoto National Memorial is a park with trails through the mangroves at the entrance to the Gulf of Mexico. I keep coming here to capture scenes along the water. Like most parks in this area it closes at sunset. But in this case I lingered to capture the vibrant tones past dusk.
I get spoiled with our sunsets. Well not really spoiled, but I do get overloaded with so many sunsets this time of year. With a great sunset each night I get a little complacent and then all of a sudden I miss a really good one. That happens several times a week. I have an unrealistic desire to capture every sunset. I will be first in line to pre-order one of Elon Musk’s transporters as soon as it gets invented. See a good sunset, push a button and I’m at the beach. Guaranteed to never miss a good one.
When I decide not to go out I know I might be missing something. It’s hard to just sit back and watch without wanting to capture it with a camera. If I have to do a chore and don’t look outside I’m okay, but when I see colorful clouds I go a little crazy. I suppose it has something to do with why I got into photography in the first place, to capture and convey.
If I were a painter I’d probably feature sunsets as much as I do with photography. The nice thing about painting is you can portray a scene as you see it in your mind, there’s no rush to get to a location for the light. With landscape photography we are working with times of the day: two different approaches to convey scenes. In the end, none of it compares to the real thing. If you consider variations in color and shapes of clouds and textures of terrain you realize that whether we’re painting or taking photos, we are attempting to reproduce the work of a much greater artist.
This is a bench at a waterfront park just across the river from me. I took this at dawn in a light rain. My intention was to capture a sunrise but the sun never made it through the clouds. Sometimes I’ll come here to take pictures right after it rains but in this case it was just starting. I snapped a few shots and then retreated to my car to wait it out. After about fifteen minutes it got heavier so I headed home and this is one of the few shots I got.
I like this for the leading line and the bench under the light. If you look close you’ll see the rain under the lamp. When we see images like this we project ourselves on to the bench or out along the path. The projection is an automatic response, which leads to a reaction. If we see ourselves somewhere we want to be we’ll probably like the photo.
Thinking about how photos work and affect us is something I do a lot of. To most of us this is just a photo in a park, we don’t think about why we like or dislike it. It’s true that I have a habit of thinking too much, but I’m also curious about photos. I’m constantly learning by noticing things about images.
Some people go to the four corners of the earth to explore and get amazing photos. I like traveling too but I spend a lot of time around home. So I forces me to look past the mundane and think about the things that make a photo interesting. In that way it doesn’t really matter where I am. Even if I had to stay in one spot for a year I would try taking a new perspective each day. That’s a little challenge and game I play when shooting images of things I see often and close to home.