Niel Preserve in Bradenton borders the intercoastal waterway. The boardwalks allow you to walk through and above the thick brush and mangroves. From a photography perspective, the perfect time to come is just after the rain and right before sunset. That way the clouds accent the natural elements and help set the mood.
However there is one minor problem, the mosquitoes are thick as thieves. And they also love this particular time of day, perhaps as much as I do. They are quite active after the rain; so when I arrive, I typically spray myself down with a generous portion of repellant. That way the photographer and bugs keep a respectful distance and everybody gets along.
The path in this image is a classic leading line. With our eyes and imaginations, we follow the trail and perhaps feel it leads to a safe place. That is the central principle behind this image, and it should be convincing as long as you don't think about the bugs.
I posted an image of this building last week. Since then I pulled this older one out of my archives and reprocessed it. It's the first image I took of the World of Science building, however since then I've made many more. I was using a Nikon at the time which I later upgraded to a Sony; not that the choice of the camera matters at all.
Here is my original take on it (https://www.flickr.com/photos/justenoughfocus/9109050970/in/dateposted/). I don't reprocess images too often, but every once in a while I wonder what it would look like with newer software and updated sensibilities. My sensibilities are like software; they get upgraded every year or two as well.
Because of its shape and location by the water, there are no bad angles. You could make a study of this building from different perspectives which is what I've done over the years. With the amount of construction in Vancouver, it seems that even the view gets upgraded every other year.
I'm standing on the western tip of a peninsula called Emerson Point. It's where I come to get away from it all, a little sliver of solitude.
That's not me standing by the water, so apparently, it's not complete solitude. There were about a dozen people here, and typically I'm not the only one with a camera. But having people around ensures I can place one in the frame to tell a story. In this case, the story is about a solitary figure watching the sunset.
Usually, when I frame a person in a shot like this, I try to ensure they are nondescript. In the movie industry, it's known as atmosphere. I used to work in the back office of a movie studio, and an atmosphere person was paid twenty-five dollars a day. That's not bad for just standing around; but in this case, I didn't spend a cent.