I use random people in scenes all the time. Sometimes a person is positioned in such a way as to create a scene. Street photography is all about people in scenes. One technique is to create compositions where people are juxtaposed to nearby architecture or structures. A simple example is a person waking past an archway. Looking for a composition is like a game; you feel a sense of accomplishment when you capture one. I haven’t played but maybe it’s a little like Pokémon Go.
I took this at Bayfront Park in Sarasota recently. The park is an island with a trail around it and these swings are spaced every fifty meters. I come here when I want to do a mixture of people and landscape photography; it has plenty of both. As I walked behind this lady I think she knew I was taking pictures because she glanced back. She didn't seem to mind so I paused to get several more.
I use people in this way all the time. Of course it’s better to be coy about it, if people become aware of what your doing they may change their behavior. Lately I’ve taken to carrying only a small 35mm lens on my camera. That way it doesn’t stand out so much and I can almost pretend I’m a casual shutterbug. In reality I’m on an undercover mission.
One time it backfired on me. I was trying to be nonchalant as I took a picture of a rundown garage in a gritty part of town. The people inside thought I was snooping on them and started yelling at me. It turned out okay but I should have asked first. Most people don’t mind if they know what you’re doing. And if they do mind, well, no biggie, it’s just a game.
This image is based on the Vancouver terminal, or YVR as its also known. Each time I travel here I am intrigued by the construction. The architects created an exoskeleton with which they hung the functional necessities of the terminal. The form and function are indistinguishable from one another. I’ve noticed this elsewhere and it represents an evolution in how we build.
In the software industry we employ patterns to do basic tasks. Patterns are the analogs of load-bearing structures used in construction. Software has always drawn parallels from construction, and soon I believe it will occur the other direction.
We are evolving into beings that live as much in software as brick and mortar. The trend is accelerating and the boundaries between virtual and physical are becoming more tenuous each day.
The Matrix struck a chord because it explored merging of physical and software realities. I believe we are on some of the same trajectories proposed in the movie. In another generation virtual reality will be as commonplace as a cell phones are now.
When I see physical structures I think of their corollaries in software. Likewise when I build software I borrow construction techniques and terminology. Now opposite is beginning to occur with construction rendering which is an offshoot of 3D printing. We have begun to build physical structures with software as seen on this YouTube: https://www.youtube.com/watch?v=GUdnrtnjT5Q We are now on the verge of yet another revolution in combining software and construction. The merging between software, virtual reality and construction and manufacturing are all but disappearing before our eyes.
I was flipping through some old photos and I found this waterfall from British Columbia. What caught my attention was that it was taken exactly three years ago today. This is just below the massive Shannon Falls north of Vancouver. When I took this it was in full flow from the spring runoff, so I imagine it would be the same now.
I took this with the Sony A7R, which was still fairly new at the time. I had had it for only a couple of months and was still learning its ins-and-outs. Looking at this now makes me want to take a trip back to the Pacific Northwest and go waterfall hunting. For a landscape photographer waterfalls are big game.
A lot has transpired in the last three years. In that time I've taken close to a hundred thousand images. They're not all winners mind you, in fact only a very small percentage of them are what I'd consider "good". In one sense photography is a numbers game. The more you do the better your odds. Eventually you get some good ones.
When I get asked how I got to where I am the answer is simply that I take a lot of photos; some turn out good. That’s not to diminish the effort, but it’s more repetition than anything. If you get out and take pictures, magic eventually happens. If you want to take good photos, take a lot of photos. Eventually you’ll get some real winners.