I suppose these cabins are the equivalent of the apartments that surround Central Park in New York City. Only, this namesake park is floating thousands of miles away.
I used a 12mm wide-angle lens for this shot which it makes the foreground appear bowed. I also used a Platypod (https://platypod.com/) to anchor the camera to a railing for a long exposure. This is the first time I've not taken a tripod and relied solely on the Platypod. In retrospect, it was a good call.
These spaces on the boat were designed to resemble neighborhoods. It's obvious a lot of thought was put into it because, at least for me, that's what it felt like. You could hang out in a different one depending on your likes. For some reason, this one, surrounded by apartment-like cabins, was the one I hung out in. It created a perfect illusion that, for the length of the cruise, kept reality at a safe distance.
Trees in a field are usually found in clusters. So when and I see one I might stop suddenly to take a photo, hopefully without causing an accident.
In this case, I saw the tree and continued driving until I could safely make a U-turn and park along the highway. But if there are no cars nearby, I may just hit the breaks and back up along the curb. That's a bad idea if someone is in the car, but by myself, it works.
Lone trees are an easy subject. There are (pardon the pun) the low hanging fruit of landscape photography. Just find an angle that frames a solitary tree in its surroundings, and you have the makings of a good photo. In this case, I also have foreground and background elements that provide a sense of placement and perspective. And to top it off, no one was harmed in the making of this photo.
This simple image is a long (one second) exposure from the side of a ship. These are swells from hurricane Oscar that was over a thousand miles away.
The captain took us south to avoid the worst of it, but for about two days we saw some impressive swells, more massive than these. Even the largest cruise ship in the world will rock in these conditions. The swells hitting the side of the boat sounded exactly like waves crashing on the shore. It was relaxing, and for two nights we slept with the balcony door open so we could hear the soothing sounds.
To make a one-second exposure in daylight, I set the aperture to f40. That's a tiny aperture, maybe the smallest I've ever used. An F-stop higher than 20 does not have a lot of practical uses, but long exposures are one. One second is long enough to make an in-camera motion blur effect without resorting to photoshop tricks.
Maybe this is a dull image without a central subject. It's more texture or pattern than a photo. Even so, it reminds me of the gentle sounds the waves made all through the night.