The other day my wife and I played nine holes at a local course. I'm not a good golfer, but it doesn't mean I won't bring my camera. As we were waiting for the group ahead, I grabbed this photo of a water hazard at the third tee.
During the week I rarely get out during the day. That's a shame because the first part of the day is when we get these puffy clouds. Florida is hot as hell, and somehow that creates these evenly spaced clouds. But I digress, when I squint my eyes the reflections on the water reminded me of a kaleidoscope, and that's why I took this photo.
The thing about the golf course ponds in Florida is they nearly all have alligators. We didn't see any in this one, but in two others we did. When I first came to Florida, it was a little freaky, but now I'm used to it. They do their thing, and we continue hitting little white balls. But if the ball goes into the water hazard, it's not advisable to fish it out. I'm just saying.
Here is a series of shots I took last year when in NYC. I walked to Times Square late at night in the pouring rain. While that may not sound fun, it's an excellent time to do street photography. The combination of lights, reflections, and umbrellas create scenes that are fun to watch, in a people-watching kind of way.
Because of the rain and the late hour, there were far fewer people out than usual. If you've ever been to Times Square then you know that's rare. It meant I was able to capture little vignettes without too many distractions. Each of these photos tells a different story from that evening. It is up to you the viewer to imagine what that story is.
As the name of the series suggests, I've employed a vignette technique to each of these images to draw attention to the people. The setting, while electric, is only that, a setting. Each story is as different as the people that inhabit them.