The other day I went to Bean Point on Anna Maria Island to capture this image. I didn't notice it at the time, but there is quite a lot of lens flare. Nerd that I am, it got me wondering about the optics that produced it. Might another lens to create a different effect? Nevertheless, the photo was taken at f18 at its normal to get a starburst at that aperture; that's how we get the star effects on street lights at night. However, this looks like a combination of starburst and lens flare, and that's what made it a little unique, at least for me. The main reason I used such a small aperture was to get an extended depth of field; meaning I wanted everything to be in focus, from the plants up close to the clouds. Using a high f-stop number is a way to get that, however, because it restricts the amount of light coming in, you may need a tripod lest your images come out blurry from camera shake. In this case, the effect is like a splash of light and I kind of like it; which goes to prove that happy mistakes happen all the time.
I've heard it said that eventually, everyone passes through Times Square. There's no way to describe it unless you've been there; it's electric. Last week I was talking about telling stories with simple images at the beach, but this is an example of a subject that's the polar opposite of serenity and sunsets. Regardless of the scene, success comes about by framing an image in a way that allows the viewer to enter it and muse about what is going on. If you want to tell stories with your photos, it doesn't matter what the scene is. It could be a beach, a farm, a city or anything in-between. I find that having a sense of depth draws us into the scene. We start at items close up and then wander around establishing distance and placement. It happens so fast we don't notice, but crafting scenes are what makes photography so enjoyable. It's a subtle version of virtual reality based on immersion. If we are, even for an instant, immersed in a photo, then we've experienced a form of virtual reality. Stories when told by a picture or a book, have always been a way to experience a different reality.
This image is an example of the kinds of things you'll see just by showing up to a location and observing. It's not staged, yet it has receding elements: a girl, a bird, and a sailboat, not to mention the evening sun. The objects are receding, and from a compositional perspective, that's pretty cool. Let me explain. There were other objects and people around, but I positioned the frame to simplify the image. Unconsciously our eyes are drawn from the close-up objects to those far away, and in that split-second traverse, each observer (you) creates a story. I refer to "story" a lot in my images, but what I mean is the musings of an observer (you). When you muse, you automatically make up a story. That makes me the story-teller, and now I've connected with you. It's pretty simple really, and it's the idea behind stories in photographs. We can create stories in different ways; for me, it often involves simplifying a scene and engaging the viewer. But each person is different, and we could take a complicated scenario and do the same thing, there are no rules. My photos at the beach are simple, but I also like busy city streets with a lot of things to explore. (In fact, I'll post one like that next week.) But I digress. When taking photos, you want to tell a story. No matter where you are, you can compose the shot in such a way that when I see it, I make up my own story.
