The DeSoto National Memorial is a park with trails through the mangroves at the entrance to the Gulf of Mexico. I keep coming here to capture scenes along the water. Like most parks in this area it closes at sunset. But in this case I lingered to capture the vibrant tones past dusk.
I get spoiled with our sunsets. Well not really spoiled, but I do get overloaded with so many sunsets this time of year. With a great sunset each night I get a little complacent and then all of a sudden I miss a really good one. That happens several times a week. I have an unrealistic desire to capture every sunset. I will be first in line to pre-order one of Elon Musk’s transporters as soon as it gets invented. See a good sunset, push a button and I’m at the beach. Guaranteed to never miss a good one.
When I decide not to go out I know I might be missing something. It’s hard to just sit back and watch without wanting to capture it with a camera. If I have to do a chore and don’t look outside I’m okay, but when I see colorful clouds I go a little crazy. I suppose it has something to do with why I got into photography in the first place, to capture and convey.
If I were a painter I’d probably feature sunsets as much as I do with photography. The nice thing about painting is you can portray a scene as you see it in your mind, there’s no rush to get to a location for the light. With landscape photography we are working with times of the day: two different approaches to convey scenes. In the end, none of it compares to the real thing. If you consider variations in color and shapes of clouds and textures of terrain you realize that whether we’re painting or taking photos, we are attempting to reproduce the work of a much greater artist.
From daily images